After years of dabbling in natural dyeing, we’ve finally got round to running a comprehensive series of colour workshops using plants from the garden and everyday waste : blue, red, yellow and our black hollyhocks. What spurred us was the closure of the garden. We got notice to leave in April but rather than sob into our sleeves we decided to celebrate what we’ve done over the years and provide a legacy of colour, which we are calling The Hackney Colour Wheel. The plan is to get a spectrum of colour dyed on silk. We haven’t decided how to present it so all suggestions welcome. The workshops are supported by The Royal Society of Chemistry and we hope to show how science and craft can easily connect. Here is some of the dyeing we’ve done so far.
Now this is what the garden is for: respite from all your responsibilities, except plants. Oh, and each other.
We’ve started, with City and Hackney Carers, a gardening course for unpaid carers. The idea is to learn about gardening but, more importantly, to have a break in peaceful, undemanding surroundings. Caring can be relentless; no matter how much you love the person you care for, it can wear you out and, I think, you sometimes feel you are suffering a version of the same affliction. I feel, for example, I have had a stroke or some kind of brain storm since my mother had hers. Anyway, gardening, as anyone knows who has been in a garden, is pretty much the solution to any problem and we want more people to feel that calm pleasure you get from being outside in nature – and it’s so nice to be able to share that peace with local carers.
We’ve been lucky with the weather and on our second session we potted up seedlings and made cuttings.
Paul Richens, of the renowned Skip Garden led a workshop at Cordwainers looking at what we can grow at this time of year. He gave us a fascinating talk which got us thinking about rainfall, light levels, temperature and local conditions – and the useful seasonal benchmark of Guy Fawkes night (5th November) as the real end of the growing season in London. Still time to put in a crop of radishes. Even then we can still grow microgreens and plants that will survive – or even thrive in – the winter. Brassicas mostly, winter lettuces and ‘oriental’ greens such as mizuna (if you like that mustardy heat). We then went to the garden and took root and stem cuttings from mint and a scented pelargonium.
We ran another of our weed walks — or plant safaris — last week. At these events we look at plant families, how plants grow, their habitats and the great variety and resilience of wild plants. After ambling about inspecting and wondering at the above, we then study the plants further by drawing them.
People get scared of drawing but drawing is the least of it. The looking is the most of it. And we want to encourage looking (and the wonder which comes from looking) at the intricacies and complexities of even the ‘simplest’ weed/wild flower. You should probably spend 60% of your time looking – more than drawing. If you do that, you are more likely to end up drawing what you actually see, rather than what you expect to see.
One tip Neela Basu, our tame artist, gave us for drawing is to examine the way and direction a plant grows and, rather than draw its face (or flower) first, start at the bottom near its roots and work our way up and try to express the way its energy propels it upwards or around.
Our group, with a wealth of knowledge about growing between them, had a head start with the looking as they were familiar with the habits and patterns of plants. They produced some fantastic drawings.
Thanks to Capital Growth for arranging it and to Steve Ellis for the photographs.
Our annual woad and indigo harvest and dye workshop was an evening of gentle delight. It involved curiosity, experiment and awe at that magical transformation of plant into colour. We also harvested our flax and ate amazing scones with home-made jams. Sometimes you can imagine that all is right with the world.
We did two pots – one of woad and one of Japanese indigo, which usually gives a stronger colour but we found the woad was just as potent this year. Thanks to Steve for taking the photos.
After my visit to Michel Garcia’s dye garden in Provence I was inspired to make inks so we ran a small workshop in our office/studio on Well St using ingredients I bought there. We used cochineal beetles, insects that live on the nopal cactus. Cochineal beetles have been used across Europe to colour textiles and to make pigment for paints and inks. Today in Mexico and Peru they cultivate the cactus to harvest cochineals to make the colour additive E120. We also ground up oak galls (for brown and added iron for black), buckthorn + alum for green), sophora flowers from China for yellow and logwood for violet.